FEATURED ARTIST Program
July 2026 - John Aylward
The Practice of Getting Out There

John Aylward is a landscape and adventure photographer based in Central Oregon. He bikes, hikes, kayaks, skis, camps, waits, freezes, sweats, and keeps looking. His images are beautiful—Central Oregon buttes, volcanic cliffs, mountain meadows, waterfalls, wildlife, sea stacks, rimrock, and the blue astonishment of Crater Lake. Aylward is committed to environmental conservation, hoping his photography will encourage people to explore, love, and protect the natural world. For Aylward, landscapes like the Owyhee Canyonlands aren’t just scenic backdrops; they’re fragile, dramatic, generous places worth defending.
The first photographs Aylward remembers caring about were taken when he was in college while hiking New Hampshire’s Mt. Washington. After that, for many years, the camera turned toward home where his children became the moving landscape. Then, as they grew and moved into lives of their own, Aylward found himself returning to the forest and mountains.
By the late 1990s, he began looking at his own photographs more critically and sharing them more intentionally. After retiring as a computer engineer at IBM, Aylward had time for longer adventures. For “Crater Lake Sunrise,” Aylward planned the photograph like a small expedition. He used an app to locate the rising sun and study how its light would cross the lake. He checked maps to place Wizard Island in the composition. The day before, he hiked several possible locations, searching for the right foreground and alignment. Then he woke at 3:30 in the morning, drove and hiked in the dark, and stood for more than an hour in howling wind while the lake changed color and the sun finally broke into the astonishing starburst he’d imagined.
“I’m not much of a waiting person,” Aylward says. “I prefer to be on the move.” While cycling across the United States from Oregon to Maine in 2002, Aylward produced an online photo journal. Between 2012 and 2016, he produced five more cycling adventure journals and two large-format books.
When Aylward returns from his adventures, he resumes the careful work of editing, organizing, printing, and producing archival-quality fine-art pieces for homes and businesses. Aylward’s work has been sharpened by community, especially by the Cascade Camera Club where members share knowledge generously, offer honest critique and encourage one another to see more clearly. Aylward’s panoramic work argues by affection. His photographs remind us that beauty isn’t only something we dream of or admire, but sometimes it’s something we make the effort to hike into or ride across or climb towards.
For more of Aylward’s work, go to www.JohnAylward.Photos.




